9 May 2010, 18:00
It's been difficult to escape the clutches of Now, Now today. Like a lot of St. Vincent songs, its about confinement and resistance. Muffled drums like power muzzled. The breezy strings coming up against guitar blasts. But what makes the thing so gut-wrenchingly beautiful and poignant is Annie Clark's voice. The taunting sing-song of "YOU DON'T MEAN THAT SAY YOU'RE SORRY" trying to crush that moment of defiance: "I'm not... any any any any any any any any thing". There's a frailty to those repeating anys. A precariousness. Negating all those categories you get boxed into is so difficult. The effort is incredibly straining. And does the rising swirl of sound, the guitar solo, suggest flight or burial? Or some fusion of the two?