Hey kids, haven’t come around to say a whole lot about what I’ve
been doing recently. Been fighting a lot with hardware problems and
financial trouble leaving me without a way of really doing a lot of
production. I’ve made some really quality tracks over the last
months since
TRINITY
came out, but I do not yet have plans for a new album. I’ve had
quite a paradigm shift since my last release—I feel I’ve developed
a much more keen eye for quality control, keeping me from releasing
a ton of music without polishing it first (as seen in TRINITY,
where I was actually mostly forced to leave the songs as-is due to
very similar problems as what I’m dealing with now.) I still have
plans to continue writing, but I do intend to do so under different
aliases (as some of you have already curiously deduced by the
releases I put out between July and August…)
Is this the end of Vektordrum? No, but I wish to not be directly
associated with my previous work as it is by no means
“professional”, and if that means I need to start over, that’s
exactly what I’ll do.
But everything is very tentative right now, even my production
itself. So, some more interesting news: Night Signals II is out. I
worked on this one with dstnt, where he handled a lot of processing
and did some pretty insane stuff to the tracks. The album is four
lengthy (30min+) pieces combined into a massive glitch production
spanning almost three hours total. The album is hard to listen
through because of how strange it is, but for those interested, you
can find a download link by clicking the album art…
dstnt and I have also been working on a bit of sound
occasionally: a tape collage he and I have been toying with off and
on for the last few months (started on it as we were finishing
Night Signals II) and we’re not sure what we plan to do with it
yet, but we might see a bootleg around since it’s a 25 min noise
experiment (promise this one won’t be a contiguous track, though we
do have an alternate version that is…) and completely unsuitable
for official release. We do plan to find a distribution method for
it, however. I’ve got a FLAC of it, but I don’t think a lot of
people would want all that extra data for a release recorded
entirely on home cassettes… More so, home cassettes which I sampled
and then recorded over and re-recorded to a digital format via an
analog mic.
We’re also still quite fond of the idea of a glitch Christmas
album…
I need to start advertising again. Does anybody even read these
posts anymore?