King Crimson – Lizard (23:22)

SmellyStuff escribió:

This took a while to grow on me but holy shit when it finally did.

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nikonas escribió:

Can anyone recommend me anything similar to this?I really want to listen to more of those chaotic improvisations! Send me a PM if u know anything please .

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CamelStrez escribió:

The beginning with Jon Anderson is just great. Hell, the whole song is just great.

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BlackLodgeDwarf escribió:

King Crimson and Jon Anderson together = Too much epicness for me too handle.

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Ozymandias90 escribió:

I think this song alone eclipses any of the songs in ITCOTCK. Anyone else?

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mouritsdebeer escribió:

I wish the lyrics were "burn a bridge and burn a bowl".

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BrianRomeo escribió:

8 - 9 minutes in = mindfuck [2]

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ineedmoretool escribió:

Maybe my favorite KC's song [3]

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radyokafa_ escribió:

j. anderson and king crimson. yes!

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moonmadness- escribió:

Indeed be a very difficult track, can not do any band cover.

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Ek90 escribió:

Maybe my favorite KC's song [2]

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JDarling69 escribió:

Lizard bones become the clay.. And there a swan is born.

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Vlad__canard escribió:

It never gets old. Real masterpiece. [2] Maybe my favorite KC's song

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HeadShoteR escribió:

It never gets old. Real masterpiece.

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DavidBG16 escribió:

MAS TER PIECE

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Huge_Cohones escribió:

What an epic masterpiece

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bobgreen623 escribió:

That would drive me nuts too Smekermann, unless of course it was a remixing approved by Fripp! I like being made to jump by that sudden increase in volume (btw, don't want to split hairs, but isn't it an oboe?), then again I love the whole damn thing, especially the instrumental section as it becomes more and more jazzy, and the spooky guitar solo towards the end, and more. I love the whole album really

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Smekermann escribió:

ok, why the FUCK does the new remaster not have the clarinet right before "march forward" get really fuckin loud after getting soft and before the mellotron kicking in? this is driving me insane. I KNOW it's on the vinyl, why the fuck didn't they keep it for the remasters? none of the remasters have this and it was one of the best parts of the song. the 30th remaster has the clarinet go totally quiet before the mellotron kicks in and the 40th remaster has it hold that sustained note into the mellotron, this is fucken driving me bonkers. that was pretty much the climax to the song.

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